This paper examines the mythogenesic character of the story "Al alba" from the book Otro cuento de pájaros (Santiago: Las Dos Fridas, 1999) by Soledad Fariña, seen as a prototext and a paralel to the "writing" of the Book that in a fragmentary way -under the constant questioning of the means of representation and the perceptive capacity to be found in this poem- is realized in the trilogy entitled La vocal de la tierra (Santiago: Cuarto Propio, 1999), a book that includes the collections of poems El Primer Libro (Santiago: Amaranto, 1985), Albricia (Santiago: Archivo, 1988) and En amarillo oscuro (Santiago: Surada, 1994); the trilogy thus becomes a new Holy Scripture -an alternative to the judeo-christian and patriarchal Book- which can be identifi ed with the prehispanic culture and is focused in the female gender that constitutes the subject in a protolesbic relation with the Mother, as an offering to the iniciating Goddess, and as a member of the couple of Amazon lovers.